digital collage paintings printed on fabric, epoxy resin

These fabric and epoxy sculptures are a material translation of distorted facial images made through a recursive glitching of face-swapping apps applied to the artist’s own image. They seem suspended in motion, fluid, in the middle of a silent virtual scream or eruptive laughter.

“In the fraying of identities and in the reflexive strategies for constructing them, the possibility opens up for weaving something other than a shroud for the day after the apocalypse that so prophetically ends salvation history.”