something other than a shroud, 2022-present
![](https://freight.cargo.site/t/original/i/4ef6b8eff8428441ab5de44d263609358ad911712a12b7e23f3164622e1f7e9a/20231129_KMB_Unidentified-Flying_0692-w-s.jpg)
No. 13 (sees domination best), 80x100cm
![](https://freight.cargo.site/t/original/i/503bcab3205cabd4868f860f0bdb3ec787ae0d29e6e8b647bfba18166e40f046/20231129_KMB_Unidentified-Flying_0256-s.jpg)
No. 12 (disappear on cue), 60x130cm
![](https://freight.cargo.site/t/original/i/dda9eacb57bbc672f09c196583a35c624103556bfc36ca800b916bf3138114c1/20231129_KMB_Unidentified-Flying_0052-wsc-s.jpg)
No. 3 (spew), 60x80cm
![](https://freight.cargo.site/t/original/i/3cdf7f43ac533531f802b1950b3db96f6e10591e60eab7209dfd45be0e5939a3/20231129_KMB_Unidentified-Flying_0193-W-s-16-9.jpg)
drink me entirely through my head, 110x130cm
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No. 2 (barbarian), 60x80cm
![](https://freight.cargo.site/t/original/i/2359eea40254e77d484483f6c6a2b8716da0abe258ae6bc55cb6f14901f79341/20231129_KMB_Unidentified-Flying_0273-ws-s.jpg)
No. 2 (barbarian), 60x80cm
digital collage paintings on fabric, resin
These fabric and epoxy sculptures are a material translation of distorted facial images made through a recursive glitching of face-swapping apps applied to the artist’s own image. They seem suspended in motion, fluid, in the middle of a silent virtual scream or eruptive laughter.
“In the fraying of identities and in the reflexive strategies for constructing them, the possibility opens up for weaving something other than a shroud for the day after the apocalypse that so prophetically ends salvation history.”
Donna Haraway, A Cyborg Manifesto